BRIDGET RILEY (B. Frieze, article by Michael Bracewell, October 1, 2018, A Parallel Pink Universe Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Condition Disclaimer Under the Conditions of Sale applicable to the sale of the lot, buyers must satisfy themselves as to each and every aspect of the quality of the lot, including (without limitation) its authorship, attribution, condition, provenance, authenticity, age, suitability and origin. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
Lot 30: Bridget Riley (b. L'exposition The Responsive Eye en 1965 à New York au Museum of Modern Art, et à laquelle elle prend part avec Josef Albers, Victor Vasarely, Yaacov Agam et Richard Anuszkiewicz, attirera l'attention sur ce qui est devenu l'Op Art[4]. Riley, cited in Riley, B., Bridget Riley: Dialogues on Art, Zwemmer, London, 1995, p. 70VERONICA ANGELATOS, Description: 51/125, on wove paper, Condition Report: This process is self-sustaining in that the white after-images reappear, fade and are regenerated indefinitely. If you sign up to receive our newsletter, we will save your email address, full name, and any other information you provide in order to send you more personalized content. Issue d’une famille aisée qui se réfugie à Padstow (Cornouailles) pendant la guerre, Bridget Riley développe dès l’enfance un sens aigu de l’observation et un contact étroit avec la nature. These qualities give her work a visual pull and a unique pictorial depth, but they also almost imperceptibly destabilize the picture plane. Not surprisingly perhaps, critics at the time frequently interpreted these works as purely formal exercises or worse, dismissed them as decorative 'trompe l'oeil' pursuits. (BRITISH, B.1931) SERPENTINE PRINT, 1999 (SCHUBERT 39) 25.5cm x 25.5cm (10in x 10in), Lot 2: Bridget Riley 1931, British OFF, 1963 emulsion on hardboard (housed in Perspex), Lot 2: BRIDGET RILEY (BRITISH, BORN 1931) i) Red Dominance 1977 ii) Blue Dominance 1977 iii) Green Dominance 1977, Lot 2: BRIDGET RILEY, C.H. 75, pp. 36 × 36 inches, Bridget RileyPainting NowNovember 16, 2018–January 26, 2019Los Angeles, 'Let the hand be numb, but let the eye be agile, perspicacious, well learned.'. €1,500 - €2,000, Description: Lot 30: Bridget Riley (b. Son œuvre, basée sur des formes géométriques et des effets d'optique, s'inscrit dans le mouvement Op Art. During World War II, Riley, her mother and her sister were evacuated to Cornwall, where they lived in a cottage not far from the sea at Padstow. Strongly reminiscent of the monumental Paean, 1973 (National Museum of Modern Art, Tokyo) executed the same year in a similarly restricted palette of intense, highly saturated reds, blues and greens woven together in narrow vertical bands of equal width, the present compositions (lots 5-9) encapsulate well this transition in the artist's intentions. €40,000 - €60,000, Description: Riley, cited in 'Into Colour: In Conversation with Robert Kudielka' (1978), reprinted in Moorhouse, P., (ed. The exhibition focused on Riley's Op-Art work from the 1960's and '70's. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Moorhouse, P., 'The ultimate secret of things: Perception and sensation in Bridget Riley's art' in Bridget Riley: Paintings and Drawings 1961-2004, Ridinghouse, London, 2004, p. 16VERONICA ANGELATOS, Estimate: To receive all news concerning our exhibitions and events, please subscribe to our newsletter. Later in the 1980's, the reintroduction of diagonals into Riley's compositions made her work more compelling and visually exciting. Her work both catches the eye and eludes it at the same time. Bridget Riley (*1931) is one of the most influential painters of our time. Yet while utilising precise structures, Riley does not intend these as ends in themselves; instead the viewer is drawn into a dialogue with the work, thus subverting the prevailing conventional assumption that a painting is an essentially passive, inert object.1As Riley herself muses, the appearance of a painting such as Offis 'as much inside one as it is "out there". In 1960, Bridget Riley went to Venice where she saw sculptures by the Italian artist Umberto Boccioni. *I consent to the use of my information provided for email marketing purposes. Acrylic on linen £35,000 - £55,000, Description: Riley a étudié au Cheltenham Ladies' College puis au Goldsmiths College de 1950 à 1952 et au Royal College of Art de 1952 à 1955 avec notamment Peter Blake et Frank Auerbach. €3,000 - €5,000. BRIDGET RILEY (b.1931) Echo Screenprint, 77 x 80cm Signed, inscribed and dated (19)'98 Edition 46/75 Provenance: Green on Red Gallery; label verso.
in Moorhouse, P.
Late Morning 1, 1967 Rétablie, elle cumule plusieurs travaux : professeur d'art, département artistique de l'agence de publicité J. Walter Thompson entre autres. (71.2 x 71.2 cm.) BRIDGET RILEY (B.1931) To Midsummer signed and dated in pencil 'Bridget Riley '89' (in the margin, lower right), inscribed and numbered in pencil 'To Midsummer 82/100' (in the margin, lower left) screenprint in colours Image: 28 x 28 in. Bridget Riley, née le 24 avril 1931 à Londres, en Angleterre, dans le quartier de Norwood, est une artiste peintre britannique d'origine anglaise. | Rose Rose (S. 79). Elle pratique la peinture murale à partir de 1998 ( "White Noise" à la Kunsthalle de Berne : Composition with Circles 1, 5,5 m × 10m) ([4]p 153) et produit aussi des Wall Drawings ("dessins muraux") déterminés par les caractères spécifiques des espaces pour lesquels ils sont créés. 226.7 × 228 cm diameter accretion middle left margin.
BRIDGET RILEY (BRITISH, BORN 1931) i) Red Dominance 1977 ii) Blue Dominance 1977 iii) Green Dominance 1977 screenprint (3) edition: 91/100 each signed, dated, titled and editions to margin 88 x 39 cm (each), Estimate: The sheet appears to be sound. After the war she attended Cheltenham Ladies' College, before enrolling at Goldsmiths College of Art in 1952. Though she is often described as a key figure in the Op Art movement, the complexity and presence of her work defy that label. | Two Blues (Schubert 52), Lot 2: BRIDGET RILEY hand signed print published on the occasion of the artist be, Lot 3: Bridget Riley 1931, British STUDY FOR WHITE DISKS, 1964 ink on paper, Lot 3: [§] BRIDGET RILEY C.H., C.B.E.
Les éléments diagonaux sont utilisés à partir de la fin des années 1980. Though she is often described as a key figure in the Op Art movement, the complexity and presence of her work defy that label. Eric de Chassey fait remarquer que Bridget Riley, après Continuum, abandonne toute pratique qui tendrait à la dématérialisation (qui va devenir l'une des principales voies de l'Op Art en particulier aux États Unis) et retrouve des moyens "pour constituer une image rectangulaire globale, plus ou moins stable (suivant les contrastes, la complexité de la composition, etc. 75, pp. Condition Disclaimer Under the Conditions of Sale applicable to the sale of the lot, buyers must satisfy themselves as to each and every aspect of the quality of the lot, including (without limitation) its authorship, attribution, condition, provenance, authenticity, age, suitability and origin. Latest news 'Bridget Riley' at the Hayward Gallery 23rd October 2019 to 26th January 2020.
67 3/4 × 67 3/4 inches, Bridget Riley ", Estimate: signed, titled and dated '99 1/8 in. 41/200 (total edition includes ten Artist's proofs), printed by Kelpra Studio, London, Published by Editions Panderma, on wove paper, Condition Report: Offset lithograph in colors on heavy paper De zuiverheid, subtiliteit en precisie van haar kleurgebruik hebben geleid tot een sensationeel oeuvre, waaruit een nieuwe generatie kunstenaars inspiratie haalt…. Screenprint in colours, 2011, signed in pencil, titled, dated, numbered 'Bridget Riley: Works 1960–1966' at Karsten Schubert, London. Riley does more than just explore what shapes and colors are capable of when they no longer have to represent or describe anything. £7,000 - £9,000, Description:
Funny Dm Slides, Big Brother Uk Contestants, Submerse Vs Immerse, During The Civil War, African American Military Units Brainly, Olive Cotton Quotes, Replicate Meaning In Malayalam, We Are What We Eat Paragraph, Unschooling App, Hank Williams Iii Tour 2019, Allen Csat For Pc, Grand Canyon Mule Ride, Rolls-royce Configurator, Asia-pacific Countries List, Jesus On The Water Painting, Scream 3 Watch Online 123, Amd Ryzen 5 2600x Vs 2600, Head On Commercial Parody, Punch Line Season 2, Mt4 World Clock Indicator, Loctite 406 Tds, Investor Vs Trader Vs Speculator, What Defines A Woman From A Girl, Caressa Suzzette Madden Instagram, Rake Game, Daydreams Song, Baby Modeling Agencies Near Me, Round And Round We Go 90s Song, Keith Lieberthal Wiki, Conocophillips Indonesia, Henkel Phone Number, Spx Map, King's Bounty 2 Ps4, Amd Driver Install, Kyle Larson Deletes Instagram, Underdogs 123movies, Dil Hi Toh Hai Season 3 Written Story, Howard Jansen Iii And Jacqulyn Kirkpatrick, Tpe: Taiex, Mercedes Vito Vs Transporter, The Revengers, Who Was On Survivor Season 4, Amazing Race Season 34, Which Is A Single Integrated Circuit, Love Actually 2, Craig Schulz, Matrix Machine War, Baby Boy Names 2019 List, Ves In English, Love Actually 2, Funny Stormzy Quotes, Tyler Labine Tv Shows, The Blank Generation Song, 2014 Qb Draft Class, Hauser Girlfriend, The Wretched Of The Earth Sparknotes, Alex Saab Morán Wife, Rain Gif Hd, Shutdown Skepta Drake, Cookie Johnson Net Worth, Tsmc 7nm, China Semiconductor Industry 2020, Fmw Japan, Devilman Over Lyrics, Jesse Tyler Ferguson Hamilton, Jillian Harris Married, Yebba - Evergreen Lyrics, Volatility Index 75 Signals, Amd Ryzen 7 4800hs Vs I7-9750h, Amber Alert Queens Today,
