Location: Photography gallery. In 2017 she represented Australia at the 57th Venice Biennale with her solo exhibition, "My Horizon". Art Gallery Rd, The Domain 2000Sydney, AustraliaInfo line 1800 679 278, See opening hours and admission Rather than refer directly to life, much of Moffatt’s work draws from cinema. Although her use of staged photography invites comparisons with a host of contemporary artists (Sharon Lockhart, Cindy Sherman, Jeff Wall, Carrie Mae Weems) Moffatt’s work is distinguished by its complex weave of the subjective and the social. Love traces the evolution of romantic love to brutality in the name of love; Other narrates the explosive attraction between races, sexes and genders. Tracey Moffat, From Guapa (Good Looking), 1995. In an honest, unruly and comic TV pilot series, Moffatt quizzes eight artists on what art means to them. Her works are held in the collections of the Tate,Museum of Contemporary Art, Los Angeles, National Gallery of Australia, Art Gallery of South Australia and Art Gallery of New South Wales. Click here for further information. Thought Patterns: Selected Works from the Collection. The highly evocative photographs depict a 1950s maid, played by the artist herself, who is stranded on an isolated colonial property. Tracey Moffatt: Body Remembers is the first Victorian showing of Moffatt’s photographic series Body Remembers 2017 and video work Vigil 2017 from her widely-acclaimed 57 th Venice Biennale exhibition.. The artist’s love of cinema and melodrama is evident, particularly in Laudanum with its references to Murnau’s expressionist 1922 film Nosferatu. As a literary form, its status is akin to that of the fable, a symbolically over determined narrative having little to do with reality. For a better experience, switch to Mobile Version », The Art Gallery of New South Wales is open. She is certainly one of the few Australian artists to have established a global market for her work. YOUR CART, 313 Healesville-Yarra Glen Road, Healesville VIC 3777, Gosia Wlodarczak A Room Without A View 2013, Featured Artwork: DALE HICKEY – Five kinds of religion, 1983, Courtesy of the artist and Roslyn Oxley9 Gallery, Sydney. The Museum is temporarily closed to the public. Allegories of struggle and frontier regression or allegories of desire and female aggression - these are perhaps the only way to summarize the work of Australian artist Tracey Moffatt. Free-Falling , Moffatt’s museum debut, consists of four bodies of work she has produced over the past decade. However, as a way of reading that demands a narrative be interpreted as something other than what is presented at ‘face-value,’ allegory is a complex form of representation that obstinately places fiction at the service of fact. Free and open to the public. Since the 1980's Tracey Moffatt's work has been characterised by a delicious ambiguity that leaves viewers wondering where reality ends and fantasy begins. It is hard to determine if her strains of the bizarre are any less accurate a reflection of an Australia that lends itself to allegories ranging from Old Testament fatalism to New World encounters of otherness. It will be the West Australian premiere of her candid new video work, Art Calls, in which the artist plays a talk show host. Tracey Moffatt is one of Australia’s most influential artists and the Art Gallery of NSW has a substantial collection of her work. This exhibition enables study of key … Two of these works, Heaven, a 28 minute video in which Moffatt shamelessly plays voyeur to a succession of surfers changing into their wetsuits in parking lots, and Up In the Sky, a twenty-five part photo-tableau executed in the rural Australian outback, were commissioned specifically for this exhibition. Her ongoing play with the photographic medium is beautifully presented through the toned photogravures of Laudanum and the printing and painting on handmade paper in Plantation. We are observing strict physical distancing and hygiene measures to protect the health of visitors and staff and minimise the spread of COVID-19 (coronavirus). If a single medium were given credit for rendering allegory a bipartisan issue, it would be photography. Tracey Moffatt is one of Australia’s most influential artists and the Art Gallery of NSW has a substantial collection of her work. This exhibition was organized by Dia Center for the Arts in New York, 773 702 8670 Sign up to our enews to receive news updates, upcoming exhibitions info and Museum events. The montage videos (made with Gary Hillberg) Love 2003 and Other 2009 are two sides of the same coin. Whether the formal strategies she uses openly signify artifice, as in the highly saturated colors of Night Cries, or memory, as in the faded monochromatic hues of Up In the Sky, Moffatt’s provocative narratives can definitely be classified as allegories stranger than fiction and more than truth.
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