Partly inspired by works such as Shells, in 1932 Weston’s apprentice Willard van Dyke and fellow photographer Ansel Adams formed Group f/64, which Weston joined that same year. Weston took this photograph in his studio in Glendale, California, in 1927. Shells is a medium-size black and white photograph taken by the American photographer Edward Weston in 1927. If I had, my response would have been immediate!’ (Weston 1966, p.21). Find more prominent pieces of photo at Wikiart.org – best visual art database. Several months later he wrote of how his subsequent exploration of these forms had begun to consume his practice: Shells is an example of the ‘pure’ or ‘straight’ style that characterised Weston’s still life photographs. Portrait of Manuel Hernandez Galván, Mexico, Black and white negative, still life, shells on a hedge, Black and white glass lantern slide of an amphora encrusted with shells and barnacles, Title of WDR-radio programme, Cologne 1928, Untitled (Composition with eggs and string, Bauhaus). 23.5 x 18.5 cm (9 1/4 x 7 1/4 in) Signed, titled 'Shell', dated by Cole Weston, the artist’s son, in pencil and 'negative by Edward Weston' signature stamp on the reverse of the mount.. Estimate £3,000 - 5,000 . ), Faking It: Manipulated Photography Before Photoshop, exhibition catalogue, Metropolitan Museum of Art, New York 2012, p.32). Further reading II, edited by Nancy Newhall, New York 1966, pp.21–2, 31–2.Paul Martineau, Still Life in Photography, collection catalogue, J. Paul Getty Museum, Los Angeles 2010, pp.11–12, reproduced p.53. ‘Shell’ was created in 1927 by Edward Weston in Surrealism style. Throughout 1927 he took twenty-six still life images of shells, including Nautilus 1927 (Museum of Modern Art, New York). Condition Report: Sheet is dry mounted to board; one extremely small spot of possible retouching to …. According to the curator Mia Fineman, ‘the pristine beauty and fine-tuned technical perfection’ of Weston’s still-life and landscape photography during the late 1920s and 1930s ‘would define the look of “pure” photography for generations to come’ (Fineman 2012, p.32). In the photograph’s title, Shells, the plural prompts the viewers to look closely and identify the divisions between the carefully placed objects, which may be mistaken for one single shell. Signed by Cole Weston, titled, and dated in pencil with the photographer's negative stamp mount verso. Weston wrote in his diary of seeing these shells in her studio, stating that that he ‘never saw a Chambered Nautilus before. Gelatin silver, printed later by Cole Weston, Pepper, No 30, 1930 printed later by Cole Weston, Nude on Sand, Oceano, 1936-printed later by Cole Weston, Monolith, The Face of Half Dome, Yosemite National Park, California, 1927, View of Washington Square Arch with 1 Fifth Avenue in background, ca. By the spring of 1929 he began to photograph Point Lobos in Carmel, California and developed the style that would distinguish his practice, favoring sharp contrasts and a full tonal scale. Untitled VII from Four Days in LA: The Versace Pictures, Groucho Marx, actor, Beverly Hills, California, April 12. Signed, titled 'Shell', dated by Cole Weston, the artist’s son, in pencil and 'negative by Edward Weston' signature stamp on the reverse of the mount. Condition Report: Sheet is dry mounted to board; one extremely small spot of possible retouching to the right half of the image, most noticeable in raking light; one light scuff to the lower right quadrant, most noticeable upon close inspection; overall, there do not appear to be any other major condition issues. 1927Gelatin silver print, printed later by Cole Weston.23.5 x 18.5 cm (9 1/4 x 7 1/4 in)Signed, titled 'Shell', dated by Cole Weston, the artist’s son, in pencil and 'negative by Edward Weston' signature stamp on the reverse of the mount. Their curves appear to blend into one abstract form, although at the top of the composition the nautilus shell curves forward, giving the overall shape a seahorse-like, organic quality. M. Heiting, ed., Edward Weston 1886-1958, Cologne: Taschen, 1999, p. 96J. Formes Simples, exhibition catalogue, Centre Pompidou-Metz, Paris 2014, reproduced p.271. The Hong Kong Watch Auction: XI, Hong Kong, 20th Century & Contemporary Art Evening Sale, New York, 20th Century & Contemporary Art Day Sale, Afternoon Session, New York, 20th Century & Contemporary Art Day Sale, Morning Session, New York, The Room: Contemporary Art, Editions, & Photographs. Edward Weston 'SHELL' mounted, signed, titled, dated, and annotated '1S' in pencil and stamped by Cole Weston on the reverse, framed, 1927, printed posthumously by Cole Weston … Gelatin silver print, printed later by Cole Weston. The combined shells are set against a plain, dark background, and their pale tones mean that they shine brightly against it. “To record the quintessence of the object or element before my lens, rather than an interpretation, a superficial phase, or passing mood—this is my way in photography,” he once said.
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