everyone i have ever slept with tracey emin

Edwardes, Charlotte (2004). It wouldn't be very hard for Tracey Emin to re-stitch the names of Every One I Have Ever Slept With on to a little tent (it might need some updating since 1995. Gleadell, Colin (2003).

Créatrice, elle utilise vidéos, installations, dessins presque naïfs, broderies, néons.

Everyone I Have Ever Slept With 1963–1995 (1995), also known as "The Tent", was an artwork created by Tracey Emin RA (born 3 July 1963), an English artist and a leading member of the group known as Britartists or YBAs (Young British Artists). "Fire devastates Saatchi artworks", 26 May 2004. Tracy Emin is a British, mixed media artist.

Elle est celle par qui le scandale arrive. Réalisant des expositions à travers le monde, elle est l’artiste britannique la plus médiatisée. Tracey Emin aime le monde de la mode ; elle est de toutes les soirées branchées, a dessiné un sac Longchamp, et réalisé les films publicitaires de sa grande copine Vivienne Westwood. Cette exposition lui amène la notoriété. Everyone I Have Ever Slept With 1963–1995 or The Tent was an actual tent embroidered with one hundred and two names of the people Tracey Emin had ever slept with until the time of its production in 1995. The piece Everyone I Have Ever Slept With 1963-1995 consists of a shop bought tent which Emin has modified through the craft of appliqu.

Elle tire des aventures et mésaventures de sa vie, son univers trash et poétique, marqué par la douleur. (26 May 2009). Tracey Emin est une artiste britannique connue pour son travail qui explore des détails autobiographiques à travers des peintures, des dessins, des photos, des vidéos, des textiles, des sculptures et des installations. 1. Tracey Emin is best known for her work My Bed which depicted an unmade bed as well as her installation Everyone I Have Ever Slept With. Describe the works physical and formal characteristics (including techniques used in its production). [15], In collaboration with Uri Geller, artist Stuart Semple collected remains from the Momart fire site and packaged them in 8 plastic boxes under the title Burn Baby Burn; the boxes had slogans in pink lettering, including "RIP YBA" which referred to the Young British Artists amongst whom Emin is classified. Both Emin and the Chapmans are represented by White Cube gallery in London. The public and media reaction was not one of sympathy but of mockery and scorn,[11] focusing on the YBAs, Damien Hirst, the Chapman Brothers, and Emin, with particular attention to her tent. [7] Art world gossip in 2001 was that Saatchi had been offered £300,000 for it; Emin's comment on this was, "He won't re-sell, but the art is his. It achieved iconic status, was owned by Charles Saatchi, and was destroyed in the 2004 Momart London warehouse fire. "In camera – Tracey Emin". While she has become well known for … Un an plus tard, Tracey Emin fait parler d’elle avec son exposition ‘Everyone I Have Ever Slept With 1963-1995’ : elle propose une tente bleue sur laquelle sont cousus les noms de toutes les personnes avec lesquelles elle a dormi, amants ou autres, de ses avortements, mais aussi de son viol, lorsqu’elle était mineure.
[5], At that time Emin refused to sell work directly to Charles Saatchi because she disapproved of his advertising work for Margaret Thatcher, whom she accused of "crimes against humanity". [3], In May 2009, Dinos Chapman said that he and his brother Jake recreated the tent. Complice de Sarah Lucas et des Young British Artists (YBA), Tracey Emin nous propose à chaque fois, une page de sa vie intime. Elle suit une formation au Maidstone College of Art et au Royal College of Art de Londres.

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