[13] The hymn's first line, which Catherine Winkworth translated as "Jesu, priceless treasure" in 1869,[14] is repeated as the last line of its last stanza, framing the poetry. [37], The third movement is a five-part setting of the second stanza of the hymn,[38] "Unter deinen Schirmen bin ich für den Stürmen aller Feinde frei" (Under your protection I am safe from the storms of all enemies).
Philippe Herreweghe, second set recorded in 2010. The PDF files of the Chorales were contributed by Margaret Greentree J.S.
Church Cantata: Jesu, meine Freude (I) (Neumeister), TWV 1:965 (1719)
| Texts & Translations of Chorales BWV 250-438 [6] It is a parody of the love song "Flora, meine Freude", published in 1645 by Heinrich Albert, organist at the Königsberg Cathedral. [9][10] It is scored for SSATB voices. Chorale settings from the motet were included in the Dietel manuscript, which dates from around 1735. [12] Scored for five vocal parts—two sopranos (S), alto (A), tenor (T) and bass (B)—Bach alternates the stanzas of the chorale and text from Paul's epistle to the Romans. Bach used word painting to intensify the theological meaning of both hymn and Epistle texts. | Choral / Chorale [C.S.
It is in bar form; three lines form the Stollen, three the Abgesang, with the meter 6.6.5.6.6.5.7.8.6. BWV 473: From the Schemelli Gesangbuch (No. | Wagner Hymnal 1697
| Passion Chorale 118]
| Chorales BWV 401-438 Bach (Spurious): [based upon the NBA KB IV/10 (2008)]
kan ich finden, Bey dir, Jesu! "Jesu, meine Freude" (Jesus, my joy) is a hymn in German, written by Johann Franck in 1650, with a melody by Johann Crüger.The song first appeared in Crüger's hymnal Praxis pietatis melica in 1653. In the following table, the movement number is followed by the beginning of the text, its source, the voices, and key and time signatures. Four verses from the Epistle are set in motet style, two for five voices, and two for three voices. Jesu meine Freude, Partita for Organ, Johann Gottlob Töpfer (1791-1870):
Jesu, meine Freude, Chorale Cantata for chorus, strings in E minor, 22 Jan 1828, facsimile, with introduction by O. Jonas (Chicago, 1966), ed. | Chorales in Bach Cantatas: Part 1 The Biblical text, which contains key Lutheran teaching, is contrasted by the hymn, written in the first person with a focus on emotion, and Bach set both with attention to dramatic detail in a symmetrical structure. The poetry is bar form, with irregular lines from 5 to 8 syllables. Jesu, meine Freude, Melody & Text | Use of the CM by Bach | Use of the CM by other composers | Arrangements/Transcriptions. Other Baroque composers who have composed chorale preludes on the hymn tune include Friedrich Wilhelm Zachow, Johann Gottfried Walther and George Frederic Handel (HWV 480). Christoph Prégardien chose the first verse.
[19] For Gardiner, the "sublime" music suggests the style of Bach's Weimar period. Within an overall symmetrical structure, he varies his treatment of the verses of the hymn: stanzas 1 and 6 (transcribed below) are the same simple four part setting; stanzas 2 and 4 are settings with the cantus firmus in the soprano and an expressive accompaniment in the lower three or four voices; stanza 5 is a chorale fantasia with the cantus firmus in the alto; and stanza 3 is based on a free paraphrase of the hymn tune. [29], The fourth movement sets the second verse from the Epistle, "Denn das Gesetz des Geistes, der da lebendig machet in Christo Jesu, hat mich frei gemacht von dem Gesetz der Sünde und des Todes" (For the law of the spirit, which gives life in Christ Jesus, has made me free from the law of sin and death).
Mein Jesu, meines Herzens Freude, sacred cantata for voice, violin & continuo, TWV 1:1120 (1732) Sources : NBA, vols. | General Discussions: Part 1 J.S. | Part 2 "Jesu, meine Freude" (Jesus, my joy) is a hymn in German, written by Johann Franck in 1650, with a melody, Zahn No. | Chorales - N. Matt At least one of the eleven movements seems to have been composed before Bach's tenure in Leipzig. Jesu, meine Freude, meines Herzens Weide, Jesu, meine Zier, ach wie lang, ach lange ist dem Herzen bange und verlangt nach dir! 2, Jesu, meine Freude, Margaret Sutherland (1897-1984):
The motet's SATB chorales were copied in several 18th-century manuscripts collecting chorale harmonisations by Bach. The third stanza repeats three times Trotz (defiance), facing the enemies "old dragon" (alter Drachen), death (Tod), and fear (Furcht). Chorale on Jesu meine Freude for 4 voices, Bedřich [Friedrich] Smetana (b March 2, 1824 - Litomyšl, Czechlovakia; d May 12, 1884 Prague, Czechlovakia):
[13] Again beginning in G major, the tenor begins with a fugue theme that stresses the word "geistlich" (of the Spirit) by a long melisma in fast notes, while the opposite "fleischlich" is a long note stretched over the bar-line. Improvisation for Jazz Trio on the Opening Chorale Jesu, Mein Freude from Motet BWV 227 (1998), See list of Piano Transcriptions of BWV 227/1 by various composers/arrangers at:
| Hidden Chorale Melody Allusions [T. Braatz] Report Problem Diese Note ist Teil der Sammlung Bernard-dewagtere : Jesu, Joy of Man Wanting, J.S. 7 (Leusink) [ram], Mvt. Church Cantata: Jesu, meine Freude (IX) (J. Franck), 2 oboes, 2 bassoons, strings, bc, TWV 1:970 (1754)
Details and Recordings
Jesu, meine Freude, Chorale for Organ (1927), Karl Höller (1907-1987):
Jesu, meines Herzens Freud, Melody & Text | Use of the CM by Bach | Use of the CM by other composers. Hooktheory requires WebAudio and this browser doesn't support it. | Part 6 Church Cantata: Jesu, meine Freude (II) (Neumeister), 4 flutes, 2 oboes, strings, bc, TWV 1:966 (1722)
[70] Modern editions of the motet may supply a reconstructed instrumental accompaniment, such as a continuo realisation, and/or a singable translation of the lyrics, as for instance in Carus's 2003 publication of the motet.[71].
[13][35] This and most other movements related to the hymn are in E minor. All five voices participate in a lively fugue,[44] the only one within the motet. Jesu, meine Freude is one of the few works by Bach for five vocal parts. Jesu meine Freude, Chorale Prelude for Organ, Felix Mendelssohn-Bartholdy (1809-1847):
| Choral / Chorale [C.S.
1 (CCARH) [midi] | Mvt. | Evangelisches Gesangbuch 1995 [15] In 2005, Gerhard Präsent arranged Bach's chorale prelude for string quartet, in Three Choral Preludes and Aria by Johann Sebastian Bach, completed and arranged for string quartet, also in a version for string trio. © 2000-2020 Bach Cantatas Website, Last update: Tuesday, May 30, 2017 08:34, 371 4-Part Chorales sorted by Breitkopf Number, Piano Transcriptions of Bach's Works - Index by BWV Number Part 2: Other Vocal Works, Piano Transcriptions of Bach's Works - Index by BWV Number Part 4: Chorale Preludes for Organ, Preludi ai Corali - Quartetto Italiani di Viola Da Gamba, Motets & Chorales for Events in the LCY / Chorales by Theme, Texts & Translations of Chorales BWV 250-438, The Origin of the Texts of the Chorales [A. Schweitzer], The Origin of the Melodies of the Chorales [A. Schweitzer], The Chorale in the Church Service [A. Schweitzer], Hidden Chorale Melody Allusions [T. Braatz], The History of the Breitkopf Collection of J. S. Bachs Four-Part Chorales [T. Braatz]. is a hymn in German, written by Johann Franck in 1650, with a melody by Johann Crüger. Ausgabe, "Music in the Castle of Heaven: A Portrait of Johann Sebastian Bach", Altbachisches Archiv: aus Johann Sebastian Bachs Sammlung von Werken seiner Vorfahren Johann, Heinrich, Georg Christoph, Johann Michael u. Johann Christoph Bach, Johann Sebastian Bach: His Work and Influence on the Music of Germany, 1685–1750, Die Melodien der deutschen evangelischen Kirchenlieder, "Johann Sebastian Bach (1685-1750) / Motets", "On J. S. Bach's Sublime 'Gute Nacht' of Jesu, meine Freude (BWV 227)", "Jesu, meine Freude, BWV 227 / Johann Sebastian Bach", "Johann Sebastian Bach / Jesu, meine Freude, motet for 5-part chorus, BWV 227 (BC C5)", "CD reviews / Johann Sebastian Bach (1685-1750): Motets", "Composition Type: Sacred Music / Work: Jesu, meine Freude, BWV 227", "Jesu, meine Freude, meines Herzens Weide", Jesu, meine Freude, BWV 227 (Bach, Johann Sebastian), International Music Score Library Project, Literature about Jesu, meine Freude, BWV 227. Unique in its complex symmetrical structure juxtaposing hymn text and Bible text, it has been regarded as one of Bach's greatest motets. Gottes Lamm, mein Bräutigam, außer dir soll mir auf Erden nichts sonst Liebers werden. | Explanation, Chorale Melodies used in Bach's Vocal Works
[6] The last stanza imagines the entry of Jesus as the "Freudenmeister" (master of joys), as a comforter in every misery. Articles: The Origin of the Texts of the Chorales [A. Schweitzer] The poetry is bar form, with irregular lines from 5 to 8 syllables. [49] Jones pointed out that the absence of a bass may depict that "the world" lacks a firm foundation in Christ. The motet begins with a four-part setting of the first stanza of the hymn[34] "Jesu, meine Freude" (Jesus, my joy).
BWV 753: (fragment of only 9 measures) (no score sample). Church Cantata: Jesu, meine Freude, TWV 1:971 (1755) [Lost]
[21], Most of Bach's motets are difficult to date, and Jesu, meine Freude is no exception. 2 Chorale Partitas on Jesu meine Freude and Befiehl du deine Wege (1945), 1969 (dedicated to Wanda Landowska), Gerhard Schwarz (b August 22, 1902 - Waldenburg [now Wałbrzych, Poland]; d October 13, 1994 - Bebra):
[9], Günther Marks composed in 1970 a partita for viola and organ on the tune.
1 Jesu, meine lust und freude, Jesu meine lebens licht!
[24] In 1912, Bernhard Friedrich Richter wrote that Jesu, meine Freude was likely written in Bach's first year as Thomaskantor in Leipzig, for the funeral of Johanna Maria Kees, the wife of the Leipzig postmaster, on 18 July 1723, because a scripture reading of verse 11 from the Epistle passage set in the motet, in the tenth movement, is documented for the funeral. [29], In setting the first sentence, Bach accented the word "nichts" (nothing), repeating it twice, with long rests and echo dynamics. [8] In eleven movements, Jesu, meine Freude is the longest and most musically complex of Bach's motets.
[13] As in the fourth movement, it is set as a trio, this time for alto, tenor and bass, beginning in C major. 87, No. Jesu, meine Freude, Cantata for SSB, 2 vn, bn, bc, BuxWV 60, Johann Samuel Welter (1650-1720):
The central sixth movement sets verse 9 from the Epistle, "Ihr aber seid nicht fleischlich, sondern geistlich" (You, however, are not of the flesh, but rather of the Spirit). The choral melody is played alternatingly with both hands.
Several of these motets are preserved in the Altbachisches Archiv (ABA). This page is based on the Wikipedia article.
[3] There have been choral and organ settings of the hymn by many composers, including by Johann Sebastian Bach in a motet, BWV 227, for unaccompanied chorus, and a chorale prelude, BWV 610, for organ. The third (stanza 2) and fifth (stanza 3) movements, both five-part, mirror the seventh (stanza 4) and ninth (stanza 5) movements, both four-part. [29] The Dietel manuscript, written around 1735, contains three chorales extracted from the motet: the composition of the motet is supposed to have been completed before that time. 67/21 (1902), Sigfrid Karg-Elert (1877-1933):
2 Keyboard Variations on the Chorales Jesu, meine Freude and Nun komm der Heiden Heiland, Andreas Nicolaus Vetter (1666-1734):
Jesu, meine Freude, Chorale Preludes (2), for organ in D major, TWV 31:33-34 (1735), Johann Gottfried Walther (1684-1748):
Instrumental accompaniment was often limited to basso continuo and/or instruments playing colla parte. Motets & Chorales for Events in the LCY / Chorales by Theme Arrangements/Transcriptions of Bach's use of the Chorale Melody: Richard Yardumian (1917-1985):
44, Max Reger (1873-1916):
| Part 6 | Wagner Hymnal 1697
[13] The defiant opposition, also to death, fear and the rage of the world, is expressed in a free composition. Variations for organ on Jesu meine Freude, Georg Friedrich Händel (1685-1759)
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