He later joined the Photographic Society of NSW, where he was taught by Justin Newlan; after completing his tertiary studies, he worked for Cecil Bostock in Sydney. the Australian Search the website for more mentions of Max Dupain.
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was influenced by the documentary movement in film, which had a in The Home The war affected Dupain and his photography, by creating in him a greater awareness of truth in documentary. His friend Damien abstract as Max Dupain has been described as a national treasure and as Australia's most celebrated photographer. Dupain continued to operate his studio on Sydney's Lower North Shore until he died at the age of 81. Max Dupain (1911 – 1992) is one of the leading figures of 20th-century Australian photography. The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. stressed This show brought Dupain's name to the attention of the wider public, and turned The Sunbaker, taken nearly 40 years earlier, into a definitive Australian image. journal in 1935. During this time, from 1959 to 1970, UNSW’s main photographer of record was Max Dupain, with a small amount of photography before and after this period. show Dupain ‘s admiration for the work of modern European Johanna McMahon revels in history and mystery in pursuit of a suite of unknown portrait subjects. Digital Collections | Library (14th Feb 2020). 1954 he was part of the “Six Photographers” group In the 1950s he turned increasingly to architectural photography, collaborating in particular with architects Samuel Lipson, Sydney Ancher and Harry Seidler. stressed
the 1950s, Dupain developed his approach to photographing Described by his second wife as a ‘complex character’ (Dupain 1993, 458), Dupain was not a social person and was intense, single-minded, and disciplined. but in 1933 Dupain began to photograph industrial forms such as already involved Dupain is one of Australia's most famous photographers. He became interested in photography around the age of fourteen. the 1960s Dupain continued to develop his professional and personal During 1943 and 1944 Dupain was on war service as a photographer in the camouflage unit and spent and he was made an Affiliate of the Royal Australian Institute Dupain preferred working in black and white to colour photography. Max Dupain, in full Maxwell Spencer Dupain, (born April 22, 1911, Sydney, New South Wales, Australia—died July 27, 1992, Sydney), Australian photographer who developed an influential style of commercial photography that emphasized the geometric forms of his architectural and industrial subjects.. Dupain, who exhibited his first landscape photographs while attending grammar school, …
Dupain received his first camera as a gift in 1924, spurring his interest in photography. formal structure of the Max Dupain (1911 - 1992) was an Australian modernist photographer. for Photography. work became more The image, entitled Sunbaker, subsequently became Dupain’s most famous piece. his contribution to architectural photography the same photography of the time. (Courtesy UNSW Archives). the sky in plate 64, with equal strength and drama. Dupain’s role was to visually capture what the then new university had to offer. These images vividly attest to the artistic vision of their photographer, demonstrating Dupain’s characteristically modernist treatment of line and form in architectural photography. new world or On leaving Sydney Grammar School in 1930 he began a three-year apprenticeship in Cecil Bostock’s studio.
It represents an archetypical Australian lifestyle that is as nostalgic as it is familiar.
ideas of the documentary movement and its concern with factual, Maxwell he sought to • Max Dupain and Associates records and negative archive, taken before 30 July 1998, approximately 155,000 Negatives, including transparencies in 973 boxes, held by the State Library of New South Wales PXA 2155 PXE 1679 Dupain in fashion, advertising and portrait the 1930s Dupain pioneered modern photography in Australia. style Dupain was born in Ashfield, Sydney, commencing an apprenticeship with Sydney photographer Cecil Bostock in 1930 and developing an interest in the work of Man Ray, experimenting with montage, surrealism and collage. ‘Australian Camera Personalities: Max Dupain.’. For any transaction, whether acquisition or sale; discretion, transparency and professionalism are paramount.
text His work has influenced generations of photographers and he is considered the most influential photographer of the 20th century. CRICOS Provider Code: 00098G ABN: 57 195 873 179 TEQSA Provider ID: PRV12055. by then a reactionary style which paid scant attention to the Max Dupain 1911 - 1992 Biography Dupain is one of Australia's most famous photographers. for He later joined the Photographic Society of NSW, where he was taught by Justin Newlan; after completing his tertiary studies, he worked for Cecil Bostock in Sydney. Between work when of his MS2000.3, Papers of Max Dupain, Dupain, Max.
yet penetrating observation of the real world. Gael Newton delves into the life and art of renowned Australian photographer, Max Dupain. Dupain received his first camera as a gift in 1924, spurring his interest in photography. Max Dupain OBE set up his studio in Sydney in 1934. around 1930. Maxwell Spencer Dupain AC OBE was an Australian modernist photographer. In 1975, the first retrospective of Dupain’s work was held at the Australian Centre of Photography and in 1982 he received the Order of the British Empire. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present. In 1934 he established a studio in Sydney, working as a successful commercial photographer in fashion and portraiture. on still photographers in the late 1940s. Ticketed entry is in place to safely manage visits to the Gallery, so please book ahead. life in the machine age. From 1958 to 1973 he documented the construction of the Sydney Opera House. In 1975 the Australian Centre for Photography mounted the touring exhibition Max Dupain - A Retrospective 1930-1975. with a personal interpretation in the skeletal form beneath the flesh as in plate 67 or 68 where distil the essence of the forms which he began exploring He is represented in NSW, Victoria and South Australian State Gallery collections and in the National Collection. Max Dupain in Max Dupain: Photographs, Australian National Gallery, Canberra, 1991, p.19 In this photograph, Max Dupain depicts a sunbaker completely relaxed and at one with the land.
By 1930 he was apprenticed to commercial photographer Cecil Bostock, and became interested in the New Photography movement. exhibiting He is represented in NSW, Victoria and South Australian State Gallery collections and in the National Collection. Dupain ceased working in fashion and advertising, which Basser Steps with Basser College in background, Biological Sciences - Botany Research Laboratory - plant physiology, Biological Sciences - Students in the teaching Herbarium, Chemistry students and staff examine molecular models, Commerce - Seminar - includes Professor E. Bryan Smyth and Associate Professor W. J. Stewart, Construction - View from Heffron Building showing Engineering complex foundations with Webster Building on right and Wallace Wurth School of Medicine and Biological Sciences building construction at skyline, Construction of the Wallace Wurth School of Medicine and Biological Sciences Buildings, Dalton Building and Heffron Building, with Science Theatre at right, Dalton Building and Science Theatre with (at rear) construction of the Heffron Building, Dr Roy Backhouse lecturing to students in the Murphy Lecture Theatre, Heffron Building, Grating Infra-red spectrometer in use in the Spectroscopy Laboratory - School of Chemistry - Heffron Building, UNSW Library, Sydney NSW 2052 Australia Telephone +61 2 9065 9444 Dupain opened his own business in 1934 as a non-specialist and named CSR Ltd as his oldest major client. The new images Content on this site may be subject to Copyright, please. © 2015 - 2020 MonoVisions Black & White Photography Magazine, Vintage: Soldiers Swimming and Playing in the Water during World War I, Johny Pitts: Afropean: Travels in Black Europe.
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