Max Dupain – 'Sunbaker' Max Dupain's 'Sunbaker' (1937) is probably Australia's best-known photographic artwork. “I said, ‘Max, this is the one that says Australia. But it was not until the 1970s that the photograph began to receive wide recognition. Although it was taken many years after the First World War, memories of bronzed Anzacs were still strong enough to give this image a nationalist resonance for contemporary viewers. When this sunbaker has had enough of the sun’s intoxicating rays he will once again rouse himself to ‘battle’ the surf. Following the depletions of wartime, sunlight had a special meaning as an elemental force capable of promoting … The sunbaker is completely relaxed and at one with the landscape. Following the depletions of wartime, sunlight had a special meaning as an elemental force capable of promoting physical and spiritual well-being. [But] Max thought some of his newer, architectural pictures would be better. He lies with his back exposed to the sun, seawater and sweat sparkling on his skin. It depicts the head and shoulders of a man lying on a beach, taken from a low angle. In 1937, while on the south coast of New South Wales, he photographed the head and shoulders of an English friend, Harold Salvage, lying on the sand at Culburra Beach. Sunbaker is a 1937 black-and-white photograph by Australian modernist photographer Max Dupain. Artist: Max DUPAIN Birth/Death: 1911–1992 Title: Sunbaker Credit Line: Purchased 1976 National Gallery of Australia, Canberra. Although the young man is an inert, seemingly stupefied presence, we know from his bronzed skin that he is a regular beachgoer. And we know, too, that unlike the damaged returned soldiers, this fit, lithe young man is in only a temporary state of lethargy. Dupain used a low-angle shot, which transforms the simple shapes of the man's oval head and triangular torso into a mountain-like outcrop … With his documentary eye his images exude quality and demonstrate Dupain's mastership of light and form. The iconic photograph has been described as "quintessentially Australian", a "sort of icon of the Australian way of life", and "arguably the most widely recognised of all Australian photographs." Although the young man is an inert, seemingly stupefied presence, we know from his bronzed skin that he is a regular beachgoer. Dupain has positioned his camera almost at ground level in order to emphasise the sunbaker’s domination of his environment and his almost palpable connection with the replenishing forces of nature. Max Dupain’s The sunbaker is Australia’s best-known photograph and was printed by the artist in two versions. Dupain has positioned his camera almost at ground level in order to emphasise the sunbaker’s domination of his environment and his almost palpable connection with the replenishing forces of nature. Max Dupain’s Sunbaker is Australia’s best known photograph and was printed by the artist in two versions. Sunbaker was taken while he was on holiday at Culburra, on the New South Wales South Coast, in 1937, a year of popular optimism before the War. Text © National Gallery of Victoria, Australia, Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and more. Ervin Gallery, The Rocks, 19 Jun 1980–13 Jul 1980. Dupain’s subject is a young man who lies ‘sun-slain’ on Culburra Beach in New South Wales, oblivious to anything but the heat on his wet back and the warmth of the sand below. Max Dupain’s The sunbaker is Australia’s best-known photograph and was printed by the artist in two versions. Max Dupain Retrospective 1930-1980, Art Gallery of New South Wales, Sydney, 29 Aug 1980–28 Sep 1980. A print of the photograph was purchased in 1976 by the National Gallery of Australia in Canberraand by the 1990s it had cemented its place as an iconic image of Australi… Text © National Gallery of Victoria, Australia, Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie and more. And we know, too, that unlike the damaged returned soldiers, this fit, lithe young man is in only a temporary state of lethargy. Max Dupain’s The sunbaker is Australia’s best-known photograph and was printed by the artist in two versions. Following the depletions of wartime, sunlight had a special meaning as an elemental force capable of promoting physical and spiritual well-being. Although it was taken many years after the First World War, memories of bronzed Anzacs were still strong enough to give this image a nationalist resonance for contemporary viewers. Max Dupain Sunbaker Shown in 12 exhibitions Exhibition history The Thirties and Australia, S.H. Dupain’s subject is a young man who lies ‘sun-slain’ on Culburra Beach in New South Wales, oblivious to anything but the heat on his wet back and the warmth of the sand below. Although it was taken many years after the First World War, memories of bronzed Anzacs were still strong enough to give this image a nationalist resonance for contemporary viewers. Max Dupain was Australia's most respected and influential black & white photographer of the 20th century. The result was that a lot of people identified with [the image]. It conveys what it is to be Australian’ and he finally relented and said, ‘all right’. His images capture a long gone era in which Australian society was vastly different from what it is now. The sunbaker is completely relaxed and at one with the land. By 1934 Max Dupain had struck out on his own and opened a studio in Bond Street, Sydney. When this sunbaker has had enough of the sun’s intoxicating rays he will once again rouse himself to ‘battle’ the surf. Max Dupain’s The sunbaker is Australia’s best-known photograph and was printed by the artist in two versions. Although it was taken many years after the First World War, memories of bronzed Anzacs were still strong enough to give this image a nationalist resonance for contemporary viewers.
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