- personalised ads - personalized search, content, and recommendations 46. When guitarist and vocalist Margaret Fiedler commented in 1995 that her band was “just like trip-hop, but much much faster,” she was doing herself a massive disservice. Cuts such as “You’ve Lost” (Drive) and “Happened” (All of This) marry the late-night moodiness of vintage trip-hop with an acute awareness of our modern obsession with self and identity. Confidence in Duber sits firmly alongside Scott Herren’s early Delarosa & Asora experiments, snatching the breaks ‘n’ blunts from trip-hop and injecting them with digital belches cribbed from the IDM playbook. At its best, trip-hop was music for b-boys on acid, as Warfield sang on the album’s single. Jedidiah, Tossing away the rave collage aesthetic that had made ‘Beat Dis’ such a massive success, Simenon weaves an ambitious narrative, tying together dub and hip-hop-influenced tracks with heady spoken-word clips from writers Benjamin Zephaniah and Will Self. Funkjazztical Tricknology Not quite trip-hop and not quite illbient, it certainly wasn’t IDM either, despite an intriguing “post production” credit from a certain Richard D. James. It was always going to end badly. 21. London Funk Allstars Soon after his debut in 1994, Paris’s DJ Cam positioned himself as the European equivalent to DJ Krush and DJ Shadow – a hip-hop enthusiast capable of weaving together abstract, blunted beats with finesse. (Asphodel, 1996). “If I supposedly invented it, why not call it Tricky-hop?” he said, before releasing Pre-Millenium Tension. Based out of Philly, ILL CLINTON is a producer who takes the underlying flow of trip-hop and clothes it in an eclectic array of synthetic textures and abstract samples. 49. Later on in his interview, Nakanishi points out that London, at the time, felt as psychedelic as the 1960s, with the group seeking to inject some of this spirit into hip-hop, which in England was called trip-hop. Pieces such as “Ghost Pong” begin with ponderous bass and downbeat ambience, only to gain stirring impetus from the added violins and synths. 50. Bricolage Listen to the whole list as a playlist via YouTube or Spotify. 32. (Mo’ Wax, 1996). April’s Rain LP is full of ghostly melodies, shuffling beats, and ethereal vocals from lead singer Alena Scherbina, who surrounds the melancholic guitar chords and floating synths with a yearning, searching aura. Depth Charge Label: Wagram Music - 3370356 • Format: 2x, Vinyl LP, Compilation • Country: France • Genre: Electronic • Style: Trip Hop 29. (Ninja Tune, 1994). 35. 17. In London, Ninja Tune played yin to Mo’ Wax’s yang. Despite becoming the figureheads of Austria’s downbeat scene (a continental take on trip-hop), Viennese duo Kruder & Dorfmeister never released an album. They weren’t afraid to work with emcees, and on Blow Your Headphones, their second album, they found a kindred spirit in Natural Resource’s What? Your recently viewed items and featured recommendations, Select the department you want to search in. DJ Spooky Various Artists ‘No Competition’ remains one of his best compositions to date, and a staple of sets from the era. 28. DJ Shadow’s first album for Mo’ Wax is the kind of debut that places the bar so high in its mastery of a new musical vocabulary that even its creator can never hope to better it, forever living beneath the weight of what he’s accomplished. Skylab was a short-lived collective composed of Matt Ducasse, Howie B and the Japanese duo of Tosh and Kudo, aka Love TKO from Major Force. Split across two CDs, it’s the first half that’s of most interest here as the rest focused on drone and ambient compositions. 15. Sound systems, digging, dub, chill-out rooms, early globalisation and technology also acted like so many molecules attaching themselves to a new idea of what hip-hop could be. The hallmarks of the genre are there, but prettied up with luscious tropical vistas and an eccentric (but smart) cut-and-paste quality that isn’t a million miles from US duo Tipsy. Within a few years, he’d parlayed his underground kudos for an attempt at more standard rap fare. The blend of hip-hop, dub and industrial influences that would go on to characterise Martin’s work is found here at its rawest and tracks like ‘Those Tapes Are Dangerous’ show a darker side to trip-hop’s blunted potential. The Italy-based group (including Funki Porcini’s James Braddell) added a distinctly light-hearted lounge quality to a genre that could often dwell in the darker crevices, and as such Paradise Blown can be filed alongside offerings from Tim ‘Love’ Lee and Tipsy, even if it’s not anywhere near as endearingly experimental. For all these reasons and more, Psychoanalysis remains a slept-on classic from the 1990s, a half-way point between trip-hop’s European roots and its infatuation with American hip-hop. The thing that Vibert had and which many of his peers always lacked was a sense of humour, and as track titles like ‘No Turn Unstoned’ might suggest, that helped remove some of the inherent pretentiousness of the scene, breaking down another barrier that walled it off to potential listeners. (Ninja Tune, 1995). (Mo’ Wax, 1997). July 11, 2018 Even in its earliest days, trip-hop was always something of a sonic mutant. These technologies are used for things like: Another release that will likely raise a few eyebrows for its inclusion, The Bug’s debut album nonetheless fits within the wider idea of what trip-hop could, and should, be about. My Field Trip To Planet 9 is a rap album, cut from the same cloth as Check Your Head-era Beastie Boys and Digable Planets. The conversation between trip-hop and IDM was very visible in the late 90s – Plaid being the most obvious example – but Maslen avoided many of the trappings of both scenes, emerging with a record that was probably “too future” for most beatheads. pmc_jwplayer('jwplayer_flIwhUCn_zFOPDjEV_div').setup( Will Web’s ‘Cosmic Kung-Fu Funk’ slows down techno’s rawness to a blunted, hip-hop-influenced slouch while Robert Hood’s ‘Mystique’ wouldn’t be out of place on a !K7 compilation. DJ Krush & Toshinori Kondo
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