Peut-on réellement parler d’assimilation d’une culture par l’autre, ou bien persiste- t- il encore des différences? Cette section est vide, insuffisamment détaillée ou incomplète. Start studying Yinka Shoibare, Untitled, from "Effnick" Series, 1997, C-type photograph. Biographie. He was received an Honorary Doctorate (Fine Artist) of the Royal College of Art in 2010 and was awarded a CBE in 2019. Surtout, Yinka Shonibare soulève une interrogation : où en est aujourd’hui la relation entre l’Occident et l’Afrique ? Shonibare returned to London in 1979 where he studied at Byam Shaw School of Art (now Central Saint Martins) before obtaining his MFA from Goldsmiths College.Shonibare was awarded Member of the Most Excellent Order of the British Empire’ (MBE) in 2004. Shonibare is a multi-disciplinary artist, allowing the form of his creations to be dictated by the idea as a practising artist for more than three decades Shonibare constantly reimagines his process across sculpture, painting, photography and film, with his signature ‘African’ Batik fabric as the axis of his practice. En 2004, Yinka Shonibare a reçu pour ses oeuvres la plus haute distinction britannique, le MBE « Member of the British Empire », qui lui permet de transformer son nom en Yinka Shonibare MBE . C’est là qu’à l’âge de 17 ans, il contracte la Myélite transverse, un syndrome neurologique causé par l’inflammation de la moëlle épinière, qui le laissera handicapé à vie. Comment faire ? Votre aide est la bienvenue ! 5 expositions et foires qui clôturent 2017…, 5 expositions centrées sur l’Afrique, à Paris – L’Afrique n’est pas une tendance, Little Africa 2.0 : Un Village Parisian Crowdfunding Campagne. Yinka Shonibare, British artist of Nigerian heritage, known for his examination of such ideas as authenticity, identity, colonialism, and power relations in often-ironic drawings, paintings, sculptures, photographs, films, and installations. Son travail est visible sur son site internet, yinkashonibarembe.com. Dans son installation Victorian Philanthropists Parlour (1996-1997), présentée à l’exposition Africa Remix en 2005 au Centre Pompidou, il reproduit à l’identique des intérieurs et mobiliers d’époque, tapissés de tissu africain, induisant ainsi la réalité coloniale sur laquelle s’est construite la bourgeoisie anglaise. Yinka Shonibare est représenté par la Stephen Friedman Gallery à Londres et la James Cohan Gallery à New-York. Learn vocabulary, terms, and more with flashcards, games, and other study tools. © 2020 Little Africa. A signature element of his work is his use of so-called Generously sponsored by AfriSam, unveil unique stories about the museum’s collection. Shown with all the accessories used to depict a British philanthropist (after famous portrait), Arrogant stare claims an authority and status equal to white model, Skin colour not conventional in this type of portrait, "Effnick" is pronunciation of "Ethnic" by a south lononder (brixton), high population of 1st and 2nd generation descendents of immigrants, Self portrait explores white presumption of genuine Britishness. Si vous continuez à utiliser ce site, nous supposerons que vous en êtes satisfait. When he was three years old, his family moved to Lagos, Nigeria, where his father practised law.At 17, he returned to Britain to do his A-levels at Redrice School. Ce n’est qu’à 16 ans qu’il posera de nouveau ses valises en Grande-Bretagne, afin de passer son baccalauréat. Célèbre pour ses œuvres extrêmement vives et dynamiques, souvent teintées d’humour, et reprenant des classiques de l’histoire de l’art occidentale en les « africanisant », Shonibare puise allègrement dans un vaste arc-en-ciel d’imprimés wax. Post colonial artist, working in post imperial Britian, Deep sense of history and cultural identity, Himself as subject performing roles found in grand European portraiture of the time of Enlightenment (18th century) - the peak of British Dominion. Silo District, S Arm Road, V&A Waterfont, Cape Town, 8002 Copyright Zeitz MOCAA © 2020. Autant de thèmes explorées par le biais de la peinture, la sculpture, la photographie et, plus récemment, de films et de performances. Shonibare contracted transverse myelitis, an inflammation of the spinal cord, at the age of 18, which resulted in a long-term physical disability where one side of his body is paralysed. Yinka Shonibare CBE was born in London and raised in Lagos. Yinka Shonibare établit un lien entre, d’un côté, l’opulence, le désir de jouissance et la liberté d’esprit de l’aristocratie française d’alors et, de l’autre, la traite des esclaves qui fournissait les moyens de cette grandeur. Yinka Shonibare was born in London in 1962. Shonibare stepped into the international spotlight when Okwui Enwezor commissioned work for Documenta 11 (Kassel, 2002) where he exhibited the impressive Gallantry and Criminal Conversation sculptural installation. Alors qu’il est âgé de 3 ans, la famille rentre vivre à Lagos au Nigéria. Art and Artists - Yinka Shonibare est issu d’une famille aisée : son père est avocat, ses frères et soeurs sont chirurgiens et dentistes. In 2008 Shonibare’s mid-career survey travelled from the Museum of Contemporary Art in Sydney to numerous institutions worldwide including the Brooklyn Museum in New York. Yinka poursuit ensuite des études d’art au prestigieux Byam Shaw College of Art (aujourd’hui Central Saint Martins College of Art and Design). Relevant for teaching Art and Design at KS2 and at 2nd Level. Yinka Shonibare CBE has been featured in Zeitz MOCAA’s inaugural exhibition, All things being equal… (2017-19) as well as the Afrofuturist exhibition, Still here tomorrow to high five you yesterday… (2019), For general queries, contact us on info@zeitzmocaa.museum. 112 X 91.5cm © Yinka Shonibare MBE Studio Portrait(s): Malick Sidibé & Omar Victor Diop, Le Saviez-Vous? Yinka Shonibare CBE. Par Bridget Ugwe ( www.nigeriasinsights.com ). Né à Londres en 1962, Yinka Shonibare MBE (Member of the British Empire ) est la star africaine des arts plastiques à Londres. Yinka Shonibare établit un lien entre, d’un côté, l’opulence, le désir de jouissance et la liberté d’esprit de l’aristocratie française d’alors et, de l’autre, la traite des esclaves qui fournissait les moyens de cette grandeur. In 2010, Shonibare was granted the Fourth Plinth Commission in Trafalgar Square (London) and has received public commissions from The Royal Opera House (London), British Council (UK/ Nigeria) and the Smithsonian Institute (Washington D.C) amongst others.
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